MisplacedWomen?

Archive for the ‘Berlin’ Category

“MISPLACED WOMEN?” Participatory Art Project Archives, ongoing since 2009 @Art-Lab Berlin

In Berlin, News on September 13, 2018 at 1:28 pm

Tanja Ostojić is exhibiting photos, stories, videos, drawings, signs and performance scores from the “MISPLACED WOMEN?” participatory art project archives (ongoing since 2009) in the form of multimedia installation in the frame of Beautiful Trouble: Rethinking Art-ivism, Arrival City exhibition at the Art-Lab Berlin. Within this project Ostojić and project contributors of diverse backgrounds embody and enacts some of everyday life’s activities that thematise displacement, as it is known to transients, migrants, war and disaster refugees and to the itinerant artists travelling the world to earn their living.

Exhibition opening: 

Friday, September 14, at 7 pm.

Exhibition duration: 

September 14-30, 2018.

Art-Lab Berlin

Perleberger Straße 60 

10559 Berlin-Moabit

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Tanja Ostojić: “MISPLACED WOMEN?” participatory art project archives (ongoing since 2009) installation view at Art Lab Berlin, September 2018. Photo: Tanja Ostojić

“MISPLACED WOMEN?” , Performance series ongoing since 2009 / Project’s Archive, mixed media installation includes:

2 Works on textile:

1) Tanja Ostojić / Marta Nitecka Barche: “Misplaced Women?” Banner 49,5 X 181,5 cm, 2016, Canvas, marker, embroidery.

2) Monika Janulevičiūtė: “Misplaced Women?” self made sign on textile 49,5 X 90 cm, used at the Vilnius International Airport, Lithuania, November 2016.

 

25 Photographs from the following performances:

3) Performance by Hyla Willis. Central train station Zagreb, Croatia, June, 25, 2009, during the PSi conference Zagreb. Photo: subRosa.

4) Delegated performance by Valentina Medda, during Performa festival. White Box, New York City. November 21, 2009, 5 pm, New York time.

5) Performance by Tanja Ostojić, November 21, 2009, 11 pm Berlin time (5pm New York time, simultaneously with Valentina Medda), at the Tegel airport Berlin, Germany. Photos: DNK.

6) “Misplace Women?” sign held by Wai Wai at the arrival section, Zürich International Airport, Switzerland, October 25, 2012. Photo: Tanja Ostojić.

7) ”Misplace Women?” sign held by Amy Bryzgel, on Aberdeen International Airport, Scotland, March 31, 2015. Photo: Tanja Ostojić.

8) “Misplaced Women? Marking the City.” Performance by Kwestan Jamal Bawan at Western Union, Bergen, Norway, November 2, 2011 at 12:55.pm. Organised by Stiftelsen 3,14. Photo: Mariel Lødum.

9) Performance by Tanja Ostojić on the Bergen International Airport. November 8, 2011. Production: Stiftelsen 3,14, Bergen, Norway. Photos: Jannicke Olsen.

10) Performance by Sigrid Pawelke, (during the “Missplaced Women?” workshop conducted by Tanja Ostojić). Shopping district, Aix-en-Provence, France, December 16, 2015. Photos: Tanja Ostojić.

11) Performance by Anaïs Clercx, at Préfecture d’Aix-en-Provence / Police headquarters, City of Aix-en-Provence, France, during the “Missplaced Women?” workshop with Tanja Ostojić. December 16, 2015. Photo: Tanja Ostojić.

12) Performance by Ashley McNaughton on Torry bridge, Aberdeen, Scotland, UK, during the “Misplaced Woman?” workshop with Tanja Ostojić in Torry neighbourhood, organised as a part of the Aberdeen Festival of Politics 2016. March 10, 2016. Photo: Renée Slater.

13) Performances by Kirsty Russell and Marta Nitecka Barche in front of the public library in Torry, as a part of “Misplaced Woman?” workshop with Tanja Ostojić during the Aberdeen Festival of Politics 2016. March 10, 2016. Other participants: Amy Bryzgel, Caroline Gausden, Sarah Jackson, Karolina Kubik, Angela Margaret Main, Ashley McNaughton, Marta Nitecka Barche, Tanja Ostojić, Kirsty Russell, Francesco Sani, Renée Slater, Gabriel Tracy, Rowan Young and many other amassing people. Photo: Renée Slater.

14) Performance by Tanja Ostojić on the La Grand Escalier de la Gare du Saint Charles / railway station, Marseille, France 2013. Participants: Helen Averley, Alix Denambride, Robyn Hambrook, Tanja Ostojić, Kim Mc Cafferty, Jane Kay Park, Emma Edvige Ungaro and Patricia Verity. Production: Préavis de Désordre Urbain and Red Plexus, Marselle. Photos: Anne Carles.

15) Performance by Tanja Ostojić, Göteborg city centre tram station, Sweden, September 4, 2015. Production: Live Action 10, Photo: Xiao Lu.

16) Marija Jevtić, Tanja Ostojić, Suncica Šido and Nela Antonović performing “Misplaced Women?” inside the Info Park, Central Bus station Belgrade, Serbia, as one of the group performances in public spaces in Belgrade, conducted on October 29, 2015, during “Misplaced Woman?” workshop with Tanja Ostojić, thematising solidarity with the refuges on the Balkan route. Organised as a part of the From Diaspora to Diversity, Remont, Belgrade, Serbia. Participants: Nela Antonović, Gorana Bačevac, Tatjana Beljinac, Tamara Bijelić, Jelena Dinić, Irena Đukanović, Milica Janković, Marija Jevtić, Nadežda Kirćanski, Irena Mirković, Bojana Radenović, Sanja Solunac, Sunčica Šido. Photo: Lidija Antonović.

17) Performance by Tanja Ostojić on the Central bus station in Varaždin, Croatia, Jun 11, 2016. Production: Dani performansa, Varaždin, Croatia. Photo: Vedran Hunjek.

18) Perfromance by Rhea Ramjohn: “Which colonial comfort would you like to consume today?”, Misplaced Women? workshop, Tempelhoferfeld, Berlin, January 2018. Photo: Tanja Ostojić.

19) Performance by Tanja Ostojić: “Misplaced Women? and The Tourist Suitcase”, May 11, 2018, 30 min performance at Haupt Bahnhof/ main train station, Innsbruck. Art in Public Space Tyrol, Photo: Daniel Jarosch.

20) Perfromance by Tanja Ostojić: “Misplaced Women? and The Tourist Suitcase”, May 12, 2018, 60 min Performance by Tanja Ostojić at the Goldenes Dahl, Altstadt, Innsbruck. Art in Public Space Tyrol, Photo: Daniel Jarosch.

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Tanja Ostojić: “MISPLACED WOMEN?” Participatory Artproject Archives (ongoing since 2009), installation view @ Art Lab Berlin, Sept. 2018. Photo: Tanja Ostojić

2 Performance Scores

21) Score #1: unpacking a bag of your own (by Tanja Ostojić), and

Score #2: Holding the Misplaced Women? Sign (by Tanja Ostojić)

4 Drawings:

22) Drawing by David Caines of the performance by Teresa Albor in Westfield Shopping Mall, in the frame of the “Misplaced Women?” performance art workshop by Tanja Ostojić in LADA, London, December 2016.

23) Drawing by David Caines of the performance by Dagmara Bilon, in Olympic Park, in the frame of the “Misplaced Women?” performance workshop by Tanja Ostojić in LADA, London, December 2016.

24) Drawing by David Caines of the performance by Sophie Cero in the frame of Tanja Ostojić’s “Misplaced Women?” performance workshop in LADA, London, December 2016.

25) Drawing by Tanja Ostojić on a prize tag used in the “Misplaced Women? and The Tourist Suitcase”, Performances Innsbruck, May 2018. Art in Public Space Tyrol.

 

10 Written Stories by:

26) Jasmina Tešanović, women without homeland, who lives and works on-line.

27) Mmakgosi Kgabi, Gaborone, Botswana

28) Tanja Ostojić, Berlin, Germany: Bergen Airport Story

29) Sigrid Pawelke’s Statment, Aix-en-Provence, France

30) Anaïs Clercx, Marseille, France

31) Marta Nitecka Barche, Aberdeen, Scotland: Marta’s Story on Trauma of imprisonment in the USA.

32) Helen Averley, Belfast, Northern Ireland

33) Bojana Videkanić, Toronto Canada: Holding the “Misplaced Women?” sign on the Toronto Airport and diving into her profoundly touching memories about her initiation into the life of a refugee escaping Sarajevo siege in 1992

34) Rhea Ramjohn; Berlin: Which colonial comfort would you like to consume today?

35) Elena Marchevska, holding the “Misplaced Women?” Sign at Heathrow Airport London, December 12, 2016.

 

3 Videos:

36) “Misplaced Women?” Performance by Tanja Ostojić, 1-channel digital video, 28:16min, 2016. Video recording of the performance in Goteborg International Airport, Sweden. September 2, 2015. Live Action 10

37) Misplaced Women? performed by Tanja Ostojić, dedicated to the Missing and Murdered Indigenous Women in Canada. October 16, 2016, in front of the Art Gallery of Ontario, 7a*11d, Toronto, Canada. Video clip.

38) Documentary video about the “Misplaced Women?” performance workshop by Tanja Ostojić in London. 3:50 min long by Dr Elena Marchevska, produced by Live Art Development Agency, London, 2017. People talking in order of appearance: Tanja Ostojić, Nicholas Harris, Teresa Albor, Dagmara Bilon, Camila Canocchi, and voice over: Elena Marchevska.

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Tanja Ostojić: “Misplaced Women? and The Tourist Suitcase”, 2018, 30 min performance at Haupt Bahnhof/ main train station, Innsbruck. Art in Public Space Tyrol. Photo: Daniel Jarosch

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I am pleased that our installation has been set up so well and I am grateful to all the project participants for all their generous contributions to the project!!! 

For any necessary corrections, please write to me in person. I would be very grateful and pleased to correct and improve each information and credits further.– Tanja Ostojić

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Artists included: 

Tanja Ostojić

Mohammed Badarne

Göksu Kunak

Rabih Mroué

About the exhibition:

The protest movements of over the last ten years have brought the importance of the body as a means of political articulation back into our attention. Thereby, the vulnerability and fragility of the protesting bodies have often become disturbingly clear. The exhibition presents works by artists who reflect on the significance of physical presence of the body in public space, on the possibilities (and limitations) of art as a space to negotiate the social and the political and the role of activism and protest in the contemporary world with its neo-liberal understanding of globalisation. It offers a new perspective on the articulation of the political in contemporary art and reflects on the possibilities of art to express dissenting voices. 

The exhibition Beautiful Trouble. Rethinking Art-ivism is organised in the frame of the Arrival City project, which seeks to investigate questions pertaining to artistic relocation and offer a forum for international and newly arrived artists in Berlin. The term “arrival city” was coined by the journalist and writer Doug Saunders in his book Arrival City (2011). Saunders described cities and areas which had been shaped by migration, processes of relocation and the stories of their inhabitants. Although he did not deny challenges, his conclusion was overall positive as he highlighted the vitality that the newcomers brought to their new homes. With this project we would like to take up this idea and reflect on the city as a form of “cultural laboratory” as a space of co-existence of people with diverse backgrounds and experiences. The project will take the form of four exhibitions and two panel discussions, organised throughout 2018.  Curated by Charlotte Bank and Salah Saouli

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Venue:

Art-Lab Berlin

Perleberger Straße 60 

10559 Berlin-Moabit

Exhibition duration:  September 14-30, 2018.

Exhibition opening hours: Friday—Sunday, from 4-7pm

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“Misplaced Women?” Project Blog

About the Project

 

 

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Which colonial comfort would you like to consume today?

In Airports, Berlin, Performances, Workshops on June 8, 2018 at 9:01 am

In the frame of Tanja Ostojić´s Misplaced Women? workshop, January 22–24, 2018, hosted by Kunsthalle am Hamburger Platz, Berlin, the following performance has been developed and performed for the first time:

Which colonial comfort would you like to consume today?  By: Rhea Ramjohn. 

By unpacking “colonial commodities” which Rhea uses to express her identity, she is confronting both her own and the public’s understanding of the “post-colonial” existence. She urges you to ask questions such as, What is exotic? What is indigenous? What is the composition of our identities, both national and imagined?

Performance duration: ca. 40 minutes

Location: Tempelhoferfeld, Berlin

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Rhea Ramjohn: “Which colonial comfort would you like to consume today?”, Misplaced Women? workshop, Tempelhoferfeld, Berlin, January 2018. Photo: Tanja Ostojić

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“You’re from Boston! But where are your parents from? Originally?”

There’s that word again, Originally. This question is a sharp jab to the carefully-crafted concept of my identity. It is a reminder that I am a Misplaced Woman. As with many migrants from the Caribbean my heritage is varied, complex, and in many instances- undocumented. Growing up in Trinidad to parents who had little written history of our family’s migration (forced and otherwise) from Asia, Africa, and Europe, I was left to deduce for myself, the understanding of my “ethnic” identity. Furthermore, moving to the U.S. and later to Europe makes that identity-establishment more complex. I’ve found that through language and through cuisine, I can come close to physically presenting my identity, which is defined in no small part to misplacement and the Caribbean Diaspora. 

In the frame of Tanja Ostojić´s Misplaced Women? workshop, I explore this expression by unpacking a suitcase of food and other objects on the runway of the no-longer operating airport, Tempelhof. Once unpacked, the set-up should appear similar to the market vendors of my childhood Trinidad. For the performance, I chose the closed airport because it addresses my memories of travelling, where I first fell in love with the idea of visiting other places. Furthermore, choosing to stage my performance as a Trinidadian market vendor is alluding to the strong influence of global trade on my existence. Colonialism in particular, has not only affected my life, but all of us collectively. The night before the performance, I carefully selected the objects which I wanted to present because each of them serves a very particular way in which I present my identity. 

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Rhea Ramjohn: “Which colonial comfort would you like to consume today?”, Misplaced Women? workshop, Tempelhoferfeld, Berlin, January 2018. Photos: Tanja Ostojić and Alice Minervini

My suitcase was packed with the following objects:

A beach mat, a white tarp, a red Chinese robe, a Boston Red Sox baseball cap, a map of Trinidad, 2 sarongs from the Bahamas one red and one blue, a bag with a whale design, 2 straw placemats, a wok, a wooden spatchala, a stuffed toy lobster, pairs of chopsticks, star-themed napkins, a purple Chinese fan, a bar of Trinidadian chocolate, a bag of Trinidadian coffee, 2 mangoes, 1 cassava, a bag of brown cane sugar, plantains, potatoes, lemons, chilli peppers, rice, ginger, garlic, amchar marsala, madras curry powder, 3 Bahamian seashells, the  Dictionary of Caribbean English Usage, Black Berlin, a Trinidadian passport, an American flag postcard, and my writing notebook from 5th class.  

With the presentation of these objects, I am attempting to exert the representation of my fragmentally determined ethnic/racial/national/personal misplacement through the narrative of colonial and “post-colonialism”. Because colonies are exploited for their resources, each of these objects serves as a symbol of that exploitation and subsequent misplacement.  

I challenge the public to recognize the connection these products have to colonialism, slavery, and immigration. How does un-/forced migration contribute to the Diaspora in terms of the re-framing of identity, misplacement of people, culture, and commodities? How are the effects of colonialism still felt/manifested today?  The title question of this performance, Which colonial comfort would you like to consume today? confronts my own search for a connection to an ancestral and cultural heritage which is inextricably linked with misplacement.  

 

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Rhea Ramjohn: “Which colonial comfort would you like to consume today?”, Misplaced Women? workshop, Tempelhoferfeld, Berlin, January 2018. Photos: Tanja Ostojić and Alice Minervini

Some background on a few of the items:

The map of Trinidad: designed in the mid 90s, it was found in a flea market in Germany and outlines the industries and agriculture of Trinidad at that time- two points which focus solely on the country’s resources.

The postcard and star-themed napkins: the postcard is a replication of a 1970s black and white photo of a Black man waving an American flag. This in combination with the star themed napkins is a subtle ironic nod to my American identity, which is fraught with pride yet dismay at the racial and socio-economic injustices of my surrogate homeland.

The bag of brown cane sugar, bar of Trinidadian chocolate, and Trinidadian coffee: indigenous products to the island, these are clear representatives of the many reasons Trinidad and much of the world was colonized and exploited for monetary profit. I attempt here to bring to light two significant products usually labelled as “European” (i.e. coffee as a typically Italian product, and chocolate as a typically Swiss, Belgian, German, Dutch product), and sugar- a globally important commodity, yet whose history is steeped in the horror of slavery and colonialism.

Mangoes, plantains, potatoes, cassava, lemons, madras curry powder, amchar masala, chillies, rice, ginger, and garlic: these products represent the scope of the Diasporan traditions reflected not only in Trinidad, but throughout the Caribbean and the Americans. Asia and Africa in particular play monumental roles in the shaping of Caribbean societies, and are therefore instrumental in my identity as a Caribbean-American person.

2 sarongs from the Bahamas and 3 Bahamian seashells: gifts from a Trinidadian aunt who emigrated there, they are representative of yet another instance of a Caribbean woman emigrating to another place- a trend common in the Caribbean, yet hardly known internationally. The seashells carry the eternal sounds of the sea- a constant reminder of how far removed we are from our origins.

Text written by: Rhea Ramjohn

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Rhea Ramjohn: “Which colonial comfort would you like to consume today?”, Misplaced Women? workshop, Tempelhoferfeld, Berlin, January 2018. Photo: Alice Minervini

Rhea Ramjohn is a Trinidadian-American Creative Writer and Poet based in Berlin.

 

Photo and video documentation by: Tanja Ostojić and Alice Minervini

 

Mirror, Mirror – Spread Your Reflection!

In Berlin, Performances, Workshops on February 28, 2018 at 12:47 pm

In the frame of Tanja Ostojić´s Misplaced Women? workshop, January 22–24,2018, hosted by Kunsthalle am Hamburger Platz, Berlin, the following performance action has been developed and performed for the first time:

Mirror, Mirror – Spread Your Reflection!  –  a collaborative intervention with large mirrors in Berlin’s underground confronting manspreading, a habit of men sitting in public transport with legs wide apart, thereby covering more than their own seat.

By: Hoang Tran Hieu Hanh

With the participation of: Gaby Bila-Günther, Nati Canto, Alice Minervini, Evdoxia Stafylaraki and Jiachen Xu, without whom this intervention would not be possible.

Duration: ca. 2 hours

Locations:

U8, from Hermannstraße to Weinmeisterstraße

U8, from Weinmeisterstraße to Kottbusser Tor, change to U1

U1, Kottbusser Tor to Wittenbergplatz

U1, Wittenbergplatz to Schlesisches Tor

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“Mirror, Mirror – Spread Your Reflection!” by Hoang Tran Hieu Hanh, developed in the frame of: Tanja Ostojić´s Misplaced Women? workshop, Berlin (Jan. 2018) With: Gaby Bila-Günther, Nati Canto, Alice Minervini, Evdoxia Stafylaraki, Jiachen Xu. Photo: Alice Minervini

Berlin’s underground station is a central meeting point in the public arena. Various people from all directions come together, pass each other silently or simply diverge paths. In such a rapidly-growing city, the underground has turned into the main means of transport and it is no longer uncommon to see people moving homes or moving their furniture by means of the U-Bahn.

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“Mirror, Mirror – Spread Your Reflection!” by Hoang Tran Hieu Hanh, developed in the frame of: Tanja Ostojić´s Misplaced Women? workshop, Berlin (Jan. 2018) With: Gaby Bila-Günther, Nati Canto, Alice Minervini, Evdoxia Stafylaraki, Jiachen Xu. Photo: Jiachen Xu

Together with five other women holding large mirrors on Berlin’s underground, the collaborative intervention was a silent protest against manspreading faced by women in everyday life. Spectators were privy to the blurred relationship between the women due to the disjointedness of cultural backgrounds, age and style of clothing that characterised each woman.

4-Alice

“Mirror, Mirror – Spread Your Reflection!” by Hoang Tran Hieu Hanh, developed in the frame of: Tanja Ostojić´s Misplaced Women? workshop, Berlin (Jan. 2018) With: Gaby Bila-Günther, Nati Canto, Alice Minervini, Evdoxia Stafylaraki, Jiachen Xu. Photo: Alice Minervini

The aim of the subtle intervention was to point out an issue that has become quite normalised in our mind. The intervention showed that even when women appear silent, we are in fact all actors of the public-political sphere. For two hours, women deliberately reclaimed the urban space as a form of resistance.

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“Mirror, Mirror – Spread Your Reflection!” by Hoang Tran Hieu Hanh, developed in the frame of: Tanja Ostojić´s Misplaced Women? workshop, Berlin (Jan. 2018) With: Gaby Bila-Günther, Nati Canto, Alice Minervini, Evdoxia Stafylaraki, Jiachen Xu. Photo: Sajan Mani

Separated and placed at different stations along the U8 line, each woman would, one by one, enter the carriage of the same train. We would sit in male-dominated areas, ideally opposite a man spreading his legs widely. The mirror would face him whilst we appeared to be hidden behind each mirror and yet, our bodies were physically always present

At the same time, each woman felt empowered by a small, symbolic act. Yet the impact was strong – we had created a place of surveillance by literally holding up the mirror to men (and to society). We sat a powerful mark on how men have been depriving women of the right to a space that belongs to all of us. We observed reactions of visible intimidation and uneasiness by men who were exposed to our confrontation. We disrupted the urban space and displaced men out of the seemingly guaranteed anonymity.

Using the mirror as a tool of resistance, I was intrigued in particular by its symbolic meaning and the questions it raised: What is (in-)visible? What becomes (in-)visible in public space?

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Text written by: Hoang Tran Hieu Hanh

Edited and published by: Tanja Ostojić

Photo and video documentation by: Sajan Mani, Alice Minervini and Jiachen Xu

For further actions check out the Spread Your Reflection page.

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Hoang Tran Hieu Hanh is a Performative Activist of Colour based in Berlin.

Public Presentation of the Misplaced Women? Workshop in Berlin, January 24, at 5 pm

In Berlin, News, Workshops on January 23, 2018 at 4:47 pm

Please join us for the public presentation of outcomes of the “Misplaced Women?”, 3-day-long  performance art workshop in the public space with Tanja Ostojić in Berlin, hosted by Kunsthalle am Hamburger Platz on Wednesday, January 24, 2018 at 5 pm 

Participants of diverse backgrounds and levels of experience who committed to participate in this workshop will have a chance to show some of their interventions and to talk about experiences born during this collaboration. First outcomes of the workshop will be presented to the public at the end of the third day at the Kunsthalle am Hamburger Platz and will be included later with related texts on the Misplaced Women? project website.

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The Misplaced Women? workshop participants and the cold survivors in front of the Kunsthalle am Hamburger Platz, Berlin, on January 23, 2018. Photo: Sajan Mani

 

The Workshop Participants include between others:  Jia Chen Xu, Tatiana Bogacheva, Hoang Tran Hieu Hanh, Katja Vaghi, Ola Koziol, Sara Kramer, Martina Janssen, Evdoxia Stafylaraki, Kathrin Fischer, Rhea Ramjohn, Gaby Bila-Günther, Alice Minervini, Nati Canto…

About the project:  Misplaced Women? is an art project by Tanja Ostojić that consists of performances, performance series, workshops and delegated performances, ongoing since 2009, including contributions by international artists, students and people from divers backgrounds. Within this project we embody and enact some of everyday life activity that signifies a displacement as common to transients, migrants, war and disaster refugees, as it is to the itinerant artists travelling the world to earn their living. Those performances are continuing themes of migration, desired mobility, and relations of power and vulnerability in regards to the mobile and in the first line female body as in numerous previous works of mine.

Participants are invited to perform Misplaced Women? and to share there experiences on the web blog and during public discussions. Locations for performances suggested include migration specific places: train stations, airports, borders, underground, police stations, refugee camps, specific parks, prisons, etc. Contributions are posted in the form of images, notes, stories or videos to the projects blog: https://misplacedwomen.wordpress.com/

About the workshop:  The workshop aims to familiarise the participants with the topics and to stimulate an interventions in the public space. The first part of the workshop is informing the participants about the project and encourages discussions about the aims of the project.

During the second part of the workshop the participants are invited to enact live performances and interventions in the streets and parks of Weissensee or other parts of Berlin. The workshop aims to provide space for discussion of topics like traveling, identity, illegality, homelessness, security, privat space/ public space, etc.

The notes and reflections involving from the workshop will be gathered in the form of text, drawings, photos, videos and small interventions. Also, we will document the public performances as well.

This workshop is a part of the program ‘Body in the City‘ – a series of inquiries between the borders of public and private spaces in relation to the body and its temporalities, initiated by Sajan Mani.

Rhea

Rhea Ramjohn performing the Misplaced Women? at Tempelhofer Feld, Berlin. January 23 2018. Photo: Tanja Ostojić

About the workshop leader:  Tanja Ostojić is a renowned Berlin based, Yugoslavian born performance and interdisciplinary artist whose artworks engage with feminism and migration politics. She includes herself as a character in performances and uses diverse media in her artistic researches, thereby examining social configurations and relations of power. She works predominantly from the migrant woman’s perspective, while political positioning and integration of the recipient define approaches in her work. Since 1994 she presented her work in numerous exhibitions, festivals and venues around the world. She has given talks, lectures, seminars and workshops at academic conferences and at art universities around Europe and in the Americas.

Organised by: 

Kunsthalle am Hamburger Platz

Gustav-Adolf Straße 140

13086 Berlin

kunsthalle@kh-berlin.de

Open Call for participants for Misplaced Women? performance art workshop with Tanja Ostojić in Berlin, January 22-24 2018, hosted by Kunsthalle am Hamburger Platz

In Berlin, News, Workshops on December 6, 2017 at 6:23 pm

This is the Open Call for participants of “Misplaced Women?” 3-day-long  performance art workshop in the public space with Tanja Ostojić, January 22-24 2018, hosted by Kunsthalle am Hamburger Platz, in Berlin, Germany:

Participants of all backgrounds and levels of experience that can commit to be present for the entire duration of the workshop are welcome including the students of the Kunstakademie Berlin Weissensee, but we particularly encourage those who are interested in issues of migration, representations of gender and art in the public realm. Participants are invited and encouraged to share and exchange about experiences and issues of migration, displacement, exposure and privilege, and to enact the “Misplaced Women?”. The workshop is free of charge, and tea and coffee will be provided, but due to limited numbers we ask participants to apply.

The deadline for applications is Wednesday, December 20 2017.

Outcomes will be presented to the public at the end of the third day of the workshop at the Kunsthalle am Hamburger Platz and included on the Misplaced Women? project website.

This workshop is a part of the program ‘Body in the City‘ – a series of inquiries between the borders of public and private spaces in relation to the body and its temporalities, initiated by Sajan Mani.

Please reed about the project and see more workshop and application relevant details below.

About the project:  Misplaced Women? is an art project by Tanja Ostojić that consists of performances, performance series, workshops and delegated performances, ongoing since 2009, including contributions by international artists, students and people from divers backgrounds. Within this project we embody and enact some of everyday life activity that signifies a displacement as common to transients, migrants, war and disaster refugees, as it is to the itinerant artists travelling the world to earn their living. Those performances are continuing themes of migration, desired mobility, and relations of power and vulnerability in regards to the mobile and in the first line female body as in numerous previous works of mine.

Participants are invited to perform Misplaced Women? and to share there experiences on the web blog and during public discussions. Locations for performances suggested include migration specific places: train stations, airports, borders, underground, police stations, refugee camps, specific parks, prisons, etc. Contributions are posted in the form of images, notes, stories or videos to the projects blog: https://misplacedwomen.wordpress.com/

About the workshop leader:  Tanja Ostojić is a renowned Berlin based, Yugoslavian born performance and interdisciplinary artist whose artworks engage with feminism and migration politics. She includes herself as a character in performances and uses diverse media in her artistic researches, thereby examining social configurations and relations of power. She works predominantly from the migrant woman’s perspective, while political positioning and integration of the recipient define approaches in her work. Since 1994 she presented her work in numerous exhibitions, festivals and venues around the world. She has given talks, lectures, seminars and workshops at academic conferences and at art universities around Europe and in the Americas.

About the workshop:  “Misplaced Women?” project involves the unpacking of a suitcase, plastic bag, handbag or similar in a public sphere which signifies a displacement, as the everyday experience of transients, migrants, homeless, war and disaster refugees. The workshop aims to familiarise the participants with the topic and to stimulate an interventions in the public space.

The first part of the workshop is informing the participants about the project and encourages discussions about the aims of the project.

During the second part of the workshop the participants are invited to enact live performances and interventions in the streets and parks of Weissensee or other parts of Berlin. The workshop aims to provide space for discussion of topics like traveling, identity, illegality, homelessness, security, privat space/ public space, etc.

The notes and reflections involving from the workshop will be gathered in the form of text, drawings, photos, videos and small interventions. Also, we will document the public performances as well. The workshop results will be presented at the end of day 3, in the Kunstahalle am Hamburger Platz in Berlin Weissensee Public Presentation on Wednesday, 24 January, 2018, that will be folioed with Q&A and discussion, from 17-19h, and all the workshop participants will take part in the presentation.

Outcomes will be presented to the public at the end of the third day of the workshop at the Kunsthalle am Hamburger Platz and included on the Misplaced Women? project website

Dates of the workshop:     January 22-24, 2018.

Monday -Tuesday, January 22 and 23:

Workshop from 10-13h

Wednesday, January 24:

Workshop from 15-19h

(including the public presentation with Q&A and discussion: 17-19h)

Deadline for application is Wednesday, December 20 2017.

Who can apply:  Students of the Kunstakademie Berlin Weissensee and participants of all backgrounds that can commit to be present for the entire duration of the workshop are welcome. The event is free of charge, but due to limited numbers we ask participants to apply. Please send an email to kunsthalle@kh-berlin.de with the subject Misplaced Women? and write a short motivational and biographical paragraph.

Organised by: 

Kunsthalle am Hamburger Platz

Gustav-Adolf Straße 140

13086 Berlin

kunsthalle@kh-berlin.de

 

p1130114

Performance by Sigrid Pawelke, at the occasion of Tanja Ostojić´s  Misplaced Women? workshop at the School of Visual Arts at Aix-en-Provence, France. (Photo: T. Ostojić)

Misplaced Man?

“Misplaced Man?” Performed by Anastasio William at FNAC, shopping district of Aix-en-Provence, France on December 16, 2015, in the frame of Tanja Ostojić´s Misplaced Women? workshop in the School of Visual Arts at Aix-en-Provence

 

 

Additional links:  

 Misplaced Women? project   

Tanja Ostojić, books

 

Berlin, TXL Airport, November 21, 2009, 11 p.m.

In Airports, Berlin on January 6, 2010 at 4:56 pm






Misplaced Women?
Performed by Tanja Ostojic

On Saturday November 21, 5 p.m., I gave a talk Integration Impossible? at the Woodstock of Political Thinking in Haus der Kunst, Munich Germany. While the same day, at 5 p.m. New York time, Valentina Medda was performing my delegated performance Misplaced Women? at Performa, White Box, New York City.

Simultaneously with her NY performance, at 11 p.m. Berlin time, I was naturally performing Misplaced Women? on the TXL airport in Berlin, on my way back from the conference.

Photo credits: DNK

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