MisplacedWomen?

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The Displaced & Privilege: A Study Room Guide on Live Art in the Age of Hostility by Dr Elena Marchevska on Misplaced Women? + Errata Sheet

In London, Reviews, Workshops on January 26, 2018 at 2:44 pm

Within this study guide that we warmly recommend you may between others reed about the brother context in which the “Misplaced Women?” Workshop by Tanja Ostojic has been produced, reflected a pone, distributed and publicised. With the “Misplaced Women?” project we pay special attention to credit everyone properly as far as possible. In that light I am pleased to share with you an Errata Sheet to The Displaced & Privilege: A Study Room Guide on Live Art in the Age of Hostility by Dr Elena Marchevska published by Live Arts Development Agency, LADA, London, in 2017, that may be download for free under this link.

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This is the ERRATA SHEET to the The Displaced & Privilege: A Study Room Guide on Live Art in the Age of Hostility by Elena Marchevska published by LADA, London (2017):

1) The drawings on the front and back cover and inside the guide by David Caines, have been mostly inspired by performances from Dagmara Bilon, Teresa Albor, Sophie Cero and Elena Marchevska developed in the frame of the ‘Misplaced Women?’ workshop led by Tanja Ostojić.

2) On page 1:

5. ‘Misplaced Women?’ workshop by Tanja Ostojić: documentation and participant’s responses

3) On page 3:

2. ‘Misplaced Women?’ Reflective Section, where you can find documentation of the workshop by Tanja Ostojić that I hosted with LADA in December 2016.

As part of the ‘Misplaced Women?’ workshops Tanja Ostojić encourages all participants to reflect in written form about their experience with the workshop, performances they developed and on the topic of the project, and she is publishing those voices regularly on the project blog. For this Study Guide, I selected from there and republished four responses to illustrate the outcomes of the workshop that she led.

For a full version of the responses and the reflection on the London iteration of the ‘Misplaced Women?’ project, please see the originally published material that has been edited by Tanja Ostojić and Danyel Ferrari:  https://misplacedwomen.wordpress.com/2017/03/07/misplaced-women-performance-workshop-in-lada-london/

4) On page 9:

For more information on Ostojić’s work please see her books:

Strategies of Success, ed. Tanja Ostojić, La Box Bourges and SKC Belgrade (2004), and

Integration Impossible?: The Politics of Migration in the Artwork of Tanja Ostojić, eds. Marina Gržinić and Tanja Ostojić, argobooks, Berlin (2009)

5) On page 65:

Note: These reflective articles were originally edited and published by Tanja Ostojić and Danyel Ferrari in January 2017, for ‘Misplaced Women?’ blog section dedicated to London’s workshop. You can see all the entries on the following link: https://misplacedwomen.wordpress.com/category/london/

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The end of the Errata Sheet.

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Drawing by David Caines of the performance by Teresa Albor in the frame of the “Misplaced Women?” performance art workshop by Tanja Ostojić in LADA, London, December 2016.

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Misplaced Women? Performance Workshop in LADA London

In London, Performances, Reviews, Workshops on January 25, 2018 at 7:28 pm

I am delighted to share with you many amazing new contributions of the London itinerary of the Misplaced Women? workshop hosted by Live Art Development Agency and Dr Elena Marchevska in December 2016. Including videos, drawings, texts, photos and reviews. Please enjoy many active links below.

Please see this short video about the “Misplaced Women?” performance workshop by Tanja Ostojić in London.

3:50 min long video has been made by Dr Elena Marchevska and produced by LADA

People talking in order of appearance: Tanja Ostojić, Nicholas Harris, Teresa Albor, Dagmara Bilon, Camila Canocchi and (voice over) Elena Marchevska.

misplaced_women_drawings6

Drawing by David Caines of the performance by Sophie Cero in the frame of Tanja Ostojic´s “Misplaced Women?” performance workshop in LADA, London, December 2016.

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Drawing by David Caines of the performance by Dagmara Bilon in the frame of the “Misplaced Women?” performance workshop by Tanja Ostojic in LADA, London, December 2016.

Misplaced Women?

LADA was delighted to host a London iteration of Misplaced Women? in December 2016. The Misplaced Women? workshop by Tanja Ostojić took place as part of a LADA residency being undertaken by the artist and researcher Elena Marchevska exploring Live Art practices and methodologies on working with issues of displacement. Tanja Ostojić ’s practice and the ideas at the heart of the Misplaced Women? project are so central to Elena’s thinking, and so vital to current issues, that it was a wonderful and timely opportunity to be able to invite Tanja to London.

Participants for the workshop were selected by an open call for proposals, and we were thrilled with the level of interest in the workshop from such a wide range of artists, activists and thinkers. Over two days the sixteen participants created a new community, and, following excursions into the badlands of East London, inspired a gathering of interested…

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Press review in Serbian, Missplaced Women? at Götheborg Airport / Novinarski prikaz performansa na Medjunarodnom aerodromu u Geteborgu

In News, Reviews on September 19, 2015 at 10:44 am

Press review in Serbian, Missplaced Women? at Götheborg Airport / Novinarski prikaz performansa na Medjunarodnom aerodromu u Geteborgu

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http://www.seecult.org/vest/tanja-ostojic-na-live-action

Tanja Ostojić na Live Action
Fri, 09/04/2015

Umetnica Tanja Ostojić iz Srbije, koja živi i radi u Berlinu, učestvuje sa grupom internacionalnih umetnika na festivalu performansa “Live Action” u Geteborgu, na kojem predstavlja nove verzije radova “Misplaced Women?” i “Naked Life” koji su deo njenih dugogodišnjih istraživanja teme migracije, odnosno diskriminacije određenih društvenih grupa.

Novi performans iz serijala “Misplaced Women?” Tanja Ostojić je izvela 2. septembra na međunarodnom aerodromu u Geteborgu, na terminalu za dolaske, gde je oko 45 minuta vadila i potom vraćala celokupan sadržaj svoja dva kofera – ručnog prtljaga i torbe za kozmetiku.

Svaki predmet je pojedinačno vadila iz kofera, te potom vraćala, prikazujući svakodnevne životne aktivnosti koje su karakteristične za raseljenje ljude – migrante, izbeglice, ali i umetnike koji su primorani da putuju po svetu kako bi zaradili za život.

Tanja Ostojić, Misplaced Women?, aerodrom Geteborg, 2.9.2015, produkcija Live Action, foto: Li Qi Jian

Umetnica time nastavlja dugogodišnje istraživanje problematike migracija, mobilnosti, kao i odnosa moći i ranjivosti ženskog tela u tim procesima, koje je karakteristično i za njene ranije radove.

Performanse Tanje Ostojić iz serijala “Misplaced Women?”, koji je započet još 2009. godine, izvode i volonterke koje na javnim mestima raspakuju i ponovo pakuju svoje kofere na različitim javnim mestima. Tanja Ostojić pozvala je sve koji žele da izvode performans “Misplaced Women?” da podele svoje iskustvo na sajtu tog projekta, kao i u javnim diskusijama, a kao lokacije za izvođenje sugerisala je železničke stanice, ženske kuće, izbegličke kampove za ljude bez isprava, tržne centre, aerodrome, stanice metroa…

Tanja Ostojić, Misplaced Women?, Marsej, 20.9.2013, uz učešće: Jane Kay Park, Emma-Edvige Ungaro, Alix Denambride, Kim Mc Cafferty, Robyn Hambrook, Helen Averley Patricia Verity i Tanja Ostojić

U okviru festivala Live Action, koji se održava deseti put, Tanja Ostojić izvešće i novu verziju performansa iz takođe dugogodišnjeg serijala “Naked Life” koji je fokusiran na diskriminaciju Roma. Tanja Ostojić trenutno, kako je rekla za SEEcult.org, istražuje dugu istoriju diskriminacije Roma u Švedskoj – od 18. veka do danas, uključujući holokaust i prinudnu sterilizaciju romskih žena za vreme socijalizma u Švedskoj.

Tanja Ostojić će performans “Naked Life 4” izvesti 6. septembra u večernjem programu festivala “Live Action”, na kojem učestvuje sa još sedmoro umetnika iz različitih delova sveta.

Umetnici su pozvani da simultano predstave svoje radove u javnom prostoru u različitim delovima Geteborga, a među njima su Jörgen Svensson iz Švedske, Pekka Kainulainen (Finska), Chuyia Chia (Švedska/Malezija), Bonnie Tchien (Tajvan), Sioban Mullen (Velika Britanija), Yann Marussich (Švajcarska), Julien Blaine (Francuska), Lu Xiao (Kina) i Ali Al-Fatlawi i Wathiq Al-Ameri (Irak/Švajcarska).

Osnovna ideja festivala Live Action je da predstavi umetnost performansa u javnom prostoru, koji koriste građani u svakodnevnom životu, svi imaju pravo pristupa i pripada svima.

*Foto na vrhu: Tanja Ostojić, Misplaced Women?, aerodrom Geteborg, 2.9.2015, produkcija Live Action, foto: Li Qi Jian

(SEEcult.org)

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